Rooms for Tourists depicts a Cape Cod inn that still stands to this day in Provincetown, Massachusetts near the house the Hoppers summered at in neighboring Truro. Hopper completed at least two sketches in preparation – one depicting the inn during the day, the other at night.
Musically, this is a piece in which my jazz roots are on full display. The first two chords – a Bb Major 7th followed by a Bb Diminished Major 7th – have a very strong WWII-era feel to them, reminiscent of Glenn Miller’s Moonlight Serenade.
What’s especially striking about this piece is the way Hopper handles the multiple light sources: the artificial light from inside the inn, the light illuminating the outdoor sign, the moonlight lighting about the building’s facade, etc. This is probably the “cheeriest” of Hopper’s works to be featured in this suite. Where most of the painting depict moments of contemplative silence and solitude, this seems to imply warm feelings of community. One can imagine the sounds of good food being consumed, laughter and good conversation emanating from within.
The Mansard Roof is slated to be the last movement of “Part I” of This Excellent Desolation. It’s one of my favorite Edward Hopper works (I’m a sucker for Mansard roofs as well…) and this piece will, when completed, attempt to capture the ebb and flow of the summer breezes. This excerpt is from the “calmer” part of the day when the winds have died down a bit. The house depicted in the painting was built by Captain Gardner K Wonson in 1873 on Rocky Neck in Gloucester, MA.
There was a time when I spent a lot of energy trying to convince myself that I liked Weather Report. It seemed as aif you couldn’t call yourself a jazz afficionado if you didn’t. Duuude…Weather Report’s like a jazz supergroup! Joe Zawinul! Wayne Shorter! Frickin’ Jaco, man – JACO!!! My reaction now…
Hey, Boss? I finished copying “Freedom Jazz Dance.” You wanted it transposed for Bb Instruments, right?
Right. What did you draw it on a grand staff for?! No Piano player is gonna be reading this!
Uh, well…the bottom staff has the chord symbols. It’s um…clearer that way?